Blog / screen-printed fabric

collaborating with cotton & flax

collaborating with cotton & flax

Sometime last year, I connected with Erin Dollar, the designer behind Cotton & Flax, an LA-based home goods company. Erin creates awesome surface patterns from simple repeating shapes, which she silk-screens onto linen-cotton fabrics.  

In addition to creating the free Double Dash quilt pattern for her first fabric collection for Robert Kaufman Fabrics, I've also been working with her leftover screen-printed scraps to create new quilts (like this flying geese wall quilt). The two log cabin baby quilts pictured here are my latest work made from Erin's scraps; in this case, I worked solely with her designs printed on a flax-colored/natural linen-cotton blend.

This first quilt features her designs printed in black, paired with strips of cream and white, and squares of solid peach, to form four Courthouse Step blocks. Each block was pieced improvisationally using strips of various widths, so each block is unique and varies in size and shape.

This second quilt features Erin's patterns printed in white, and the fabric strips are arranged in a much more orderly and uniform fashion to form four log cabin blocks. The layout is the same as the one I used to create this neutral log cabin baby quilt earlier this year. Each of the blocks' centers feature a unique, warm-colored solid. 

I really enjoy the act of working from scraps---making design decisions on the fly since I'm limited to the fabric that's in front of me---so I really loved the process of making both of these quilts and am so happy with how they turned out. 

Both of these quilts are now available in the shop, if you'd like to take a look. And you can read more about this collaboration in Erin's write-up from last spring.

All photos by Jane Cuthbertson of Gray Green Goods

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maker maker wall quilt

maker maker wall quilt

Maker Maker Wall Hanging by Salty Oat
Sarah Golden is an amazing painter (I especially love her Plant Series!) and surface pattern designer based in California. Earlier this year, she released her very first fabric collection with Andover Fabrics titled Maker Maker
Maker Maker Wall Quilt by Salty Oat
The collection includes a number of block-print-inspired designs, printed onto a linen-cotton blend. I love the look of hand-printed fabrics (as evidenced here and here), so I was more than happy to accept Andover Fabric's offer of a fat quarter bundle of the collection in exchange for making a wall quilt for their booth at this past February's QuiltCon.
When designing the quilt, I wanted to keep the piecing minimal so that the focus would stay on the prints (I love those golden yellow cats in the center block!). I took inspiration from Heather Jones's Homage quilt block (which itself was inspired by the work of Josef Albers) and my Framed Houses baby quilt for the design of this piece, since both designs are perfect for spotlighting special cuts of fabric. 
Maker Maker Wall Quilt by Salty Oat
It was fun to spot the quilt hanging in Andover Fabric's QuiltCon booth back in February, among the other projects made from Sarah's fabrics. The quilt has since returned to me, and is now available in the shop. A wooden dowel is smartly tucked into its top edge, so it ships ready to hang. 
Maker Maker Wall Quilt by Salty Oat
All photos by Jane Cuthbertson
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framed houses baby quilt

framed houses baby quilt

Stack of Folded Quilts by Salty Oat
I truly love incorporating screen-printed fabric into my quilts, so last summer I challenged myself to design a quilt that featured a fat quarter of fabric by Spin Spin, specifically Susan's "Houses" print in olive green.
Framed Baby Quilt by Salty Oat
Using three other fabrics---olive green, cream, and coral solids---I created a simple design which resembled a framed and matted piece of minimal artwork. I chose to work only with solids so that the Houses print could really shine on its own. I had enough fabric to make two almost-identical quilts: this one and a second one which I sent to the Society of Arts + Crafts' new store in Boston's Seaport District. 
Back of Framed Baby Quilt by Salty Oat
I backed this quilt top with a rather fantastical olive green-and-cream print from my stash, long ago gifted to me by a friend. After quilting it with a large grid, I bound it with flax-colored Essex linen-cotton blend fabric, which adds some fun texture to the quilt. 
Salty Oat Quilt Label Detail
While this quilt is the perfect size for a new baby, especially as a play mat or for tummy time, it would also be a beautiful statement piece over a mantle as an alternative to traditional framed art.
Detail of Quilts and Pillows by Salty Oat
This quilt is now available in the shop
All photos by Lindsay Hite
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gray + cream flying geese baby quilt

gray + cream flying geese baby quilt

Flying Geese Baby Quilt by Salty Oat
The flying geese quilt block is one I find myself returning to again and again, because I love how it can be completely transformed through placement, scale, and fabric choices. For example, this baby quilt, which also features flying geese blocks, feels completely different than the one pictured here, because of the block layout. For this latest quilt, I tried out a new flying geese block arrangement---with all of the blocks pointed toward the center---which I discovered I really love. I'm especially drawn to the secondary pattern of a large X (or ><) that emerged when all of the geese blocks were pieced together. 
Detail of Flying Geese Quilt by Salty Oat
What also makes this quilt exciting to me is that it includes scraps from other fellow makers. As my business has grown, so has my network, and I've been lucky enough to connect with many other creative women who run product-based businesses. In this instance, it was conversations with Erin of Cotton & Flax and Catherine of Bayith that led to them giving me the linen scraps left from their production of home goods that I used in this quilt.
Binding Detail of Flying Geese Baby Quilt by Salty Oat
I paired their gray scraps with other gray linen and cotton fabrics from my own stash, as well as an American-made cotton muslin. The resulting quilt top is neutral, but impactful, thanks to the bold block arrangement. 
Quilt binding in action by Salty Oat
For the back, I used a colorful polka dot with a cream background, which adds a fun bit of color to the otherwise monochromatic piece. This quilt is now at its new home in California, and I'm back to brainstorming new arrangements for the versatile flying geese block.
Salty Oat quilt label detail
Photo of binding in progress by Lindsay Hite
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2016 umbrella prints trimming competition

2016 umbrella prints trimming competition

This year, I'm so excited to once again participate in the Umbrella Prints Trimmings Competition, an annual sewing competition to transform a pack of scraps from the Australian fabric company into something fun. (You can see my 2013 entry here, and my 2012 entry here.)

Improv Wall Quilt by Salty Oat

As many of you know, my husband and I recently purchased our first home, so I set out to make a wall quilt from the trimmings to hang above our new bed. I took an improvisational approach to making this quilt, allowing the trimmings themselves to dictate the size of the blocks and the width and number of strips I created from each. I paired the trimmings with white and cream solids from my stash, and built of up each block until it was a uniform 8.5" square. 

Improv Wall Quilt by Salty Oat

After assembling the top, I basted the quilt and quilted it with matchstick lines, something I tend to reserve only for small quilts since it's a time-consuming process (but well worth it!). 

Improv Wall Quilt by Salty Oat

The quilting lines bend and pivot, creating right angles throughout the quilt. I also left a few rectangular areas unquilted to mimic the strips and vary the texture of the top.

Improv Wall Quilt by Salty Oat

For both the binding and the backing, I used a pretty peach-and-mustard print by Carolyn Friedlander that coordinated perfectly with the scraps, which I picked up in a fabric shop on a recent trip to Michigan. 

I'm so happy with how this quilt turned out, and I'm most excited to have our new bedroom finally start to come together!

Voting for the competition opens on June 1, and I can't wait to see what everyone else has created! If you'd like to vote for your favorite entries, simply re-pin, like, or comment on them on this Pinterest board until June 6. Happy pinning!

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